So a couple weeks ago,
acrossthelake sent me a book:
There And Back Again, by Pat Murphy. I had a vague recollection of her describing something like it to me in the past, but it was just that—vague. I wasn’t really sure what to expect.
Then a couple days ago I sat down and read it. And you couldn’t get a coherent sentence out of me afterward, because OH MY GOD.
The Basics: THIS IS A SPACE OPERA VERSION OF
THE HOBBIT.
Really, I could stop there. I mean, after all, what more information do you need than that THIS IS A SPACE OPERA VERSION OF
THE HOBBIT? It’s totally enough for me. But I’ll try to tell you more. Here goes …
THIS IS A SPACE OPERA VERSION OF
THE HOBBIT.
Whoops! Sorry. Okay, let’s try again.
The Plot: C’mon, you know this plot. Bailey Beldon is a “norbit,” which is a population of compact, gregarious, spacefaring folks content to live a quiet life in the asteroid belt.* All is well and good until the mysterious Gitana shows up, along with seven women from the Farr clone family, looking to retrieve a message capsule he had found. The message contains a map! To the center of the galaxy! Where treasure awaits! So that the Boss Clone, Zahara, may reclaim the honor of her family! Glory and riches for everyone!
So somehow Bailey gets roped into this quest, and the next thing he knows he’s on a Crazy Space Adventure. He winds up diving through wormholes and dilating time to make his way to the center of the galaxy, becoming an important crewmember in short order.
You Had Me At “Norbit,” But … : This book is not a classic in the same vein as the original. But I’ll tell you what this book totally
is: IT IS PURE CRACK.
It is like a pinball game that bounces off every crazy Golden Age grain-of-science trope you could possibly dream up.** There are neuro computers and clone clans and killer nebula spiders and and brain-stealing marauders and space pirates including Space Blackbeard and a scrappy starfighter AI named Fluffy and a giant robotic space dragon. Pat Murphy could not have found more of my squee-buttons if she’d sat down and interviewed me.
Don’t Worry, Tolkien Purists: Bailey is fun, but he’s no Bilbo. Bilbo’s brilliance as a character is almost impossible to duplicate. He’s a perfectly relatable combination of goodhearted, whiny, resourceful, petty, polite, useless, clever, snarky, cautious, and homesick. We all like to pretend we’d totally Batman our way through any adventure that came our way, but there is something really reaffirming about a story where a character
with all the flaws we all have
still manages to average it out to being pretty awesome. Bailey skirts toward that, but with him, the flaws don’t show through as often—and as a result, he’s less engaging.
On the other hand, I rather liked that the clones had a bit more individuality than the Dwarves, who came across more as a collective—and yes, I know just how ironic that is. Also, it was nice to have some women in the story, without any fuss over the fact that they
were women. That’s always refreshing.
In Conclusion: THIS IS A SPACE OPERA VERSION OF
THE HOBBIT.
Seriously, you didn’t need anything else, did you?
BONUS POINTS: Ever since
beccastareyes pointed out how often writers get this wrong, I can't help but pay attention when a writer tells you the phase of the moon, the position of it, and the time of day/night. This book always got it right. Good on ya, Murphy!
*They go from asteroid to asteroid in steam-powered rockets, which must take
forever to get anywhere. Asteroid belts aren’t quite the dense messes they are in movies, y’know, but whatever.
**I literally jumped when they mentioned cooking right- and left-handed food. “Ooh! Ooh! I know this one! Stereoisomers!” Apparently wormholes make you into a mirror image of yourself, right down to the molecules.