![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
First off, I want to thank James Cameron for complicating my life, since I am also re-watching the entire series of Avatar: The Last Airbender, which is a mouthful to specify.
The movie was … well, for the Highest-Budget Highest-Grossing Movie Ever, with elements Relevant To My Interests,* there is no getting around that the story was basically a giant, special-effects-laden, two-hour-and-forty-two-minute rehash of FernGully: The Last Rainforest. You want race relations with aliens,** check out CJ Cherryh or Poul Anderson or someone of that ilk.
I’ll give it one thing, though—the worldbuilding was magnificent. I get as big a charge out of seeing a constructed world onscreen as I get out of hearing people converse in constructed languages. The worldbuilder in me who is satisfied with deliciously extrapolated ecosystems and what-ifs was all over this movie. Even the culture gets some bonus points—I have this image of James Cameron waving a stack of cash at a team of anthropologist consultants demanding “Make me a race of noble savage blue people!” and the consultants valiantly trying to give some verisimilitude to the Na’vi anyway.
Basically, if I had my way with the movie, it’d be a documentary. No plot except maybe Sigourney Weaver doing field anthropology or something.
I know, I know, it’s as much wishful thinking as wishing the Prime Directive were something that people would actually follow, but I can dream, can’t I?
*Special effects, worldbuilding, and blue people, for a start. Also my well-aged fancrush on Sigourney Weaver, and my burgeoning one on Zoë Saldaña. But “DOES IT HAVE ALIENS IN IT?” is the trump card.
**This actually really drives me nuts, that writers and readers of sci-fi so often equate race with species, to the point where they use the words interchangeably. There are indeed parallels, but there’s also, quite literally, a world of difference between humans and alien species. You don’t get a different evolutionary psychology (the real kind, not the pseudoscientific Stephen Jay Gould’s Strawman kind) or a different-shaped brain when you’re talking about two groups of humans. With aliens, well, we come back around to the GOOD sci-fi writers.
The movie was … well, for the Highest-Budget Highest-Grossing Movie Ever, with elements Relevant To My Interests,* there is no getting around that the story was basically a giant, special-effects-laden, two-hour-and-forty-two-minute rehash of FernGully: The Last Rainforest. You want race relations with aliens,** check out CJ Cherryh or Poul Anderson or someone of that ilk.
I’ll give it one thing, though—the worldbuilding was magnificent. I get as big a charge out of seeing a constructed world onscreen as I get out of hearing people converse in constructed languages. The worldbuilder in me who is satisfied with deliciously extrapolated ecosystems and what-ifs was all over this movie. Even the culture gets some bonus points—I have this image of James Cameron waving a stack of cash at a team of anthropologist consultants demanding “Make me a race of noble savage blue people!” and the consultants valiantly trying to give some verisimilitude to the Na’vi anyway.
Basically, if I had my way with the movie, it’d be a documentary. No plot except maybe Sigourney Weaver doing field anthropology or something.
I know, I know, it’s as much wishful thinking as wishing the Prime Directive were something that people would actually follow, but I can dream, can’t I?
*Special effects, worldbuilding, and blue people, for a start. Also my well-aged fancrush on Sigourney Weaver, and my burgeoning one on Zoë Saldaña. But “DOES IT HAVE ALIENS IN IT?” is the trump card.
**This actually really drives me nuts, that writers and readers of sci-fi so often equate race with species, to the point where they use the words interchangeably. There are indeed parallels, but there’s also, quite literally, a world of difference between humans and alien species. You don’t get a different evolutionary psychology (the real kind, not the pseudoscientific Stephen Jay Gould’s Strawman kind) or a different-shaped brain when you’re talking about two groups of humans. With aliens, well, we come back around to the GOOD sci-fi writers.
no subject
Date: 2010-01-11 03:40 pm (UTC)...well, and she's Sigourney Weaver and oh god fancrush.