SO I SAW INTERSTELLAR Y'ALL.
I ... hmmm.
Um ...
Huh.
That sure was a movie, that was.
I guess I hadn't really considered the fact that, as a Christopher Nolan movie, the thing could conceivably be made entirely of climaxes. Or that, like pretty much all the Nolan movies I've seen, I'd come away not with a big picture, but a sort of composite of Things I Liked and Things I Didn't Like. And as far as the story goes, the bits I was interested in (I really love the humanistic message that we can transcend ourselves) were fused inextricably with bits that just kind of annoyed me (no, seriously, you are fucking with causality like you're a goddamn Star Trek episode).
It was overwrought. I got really tired of the long, drawn-out climaxes and Hans Zimmer's All-Heartstring Orchestra Score. It was a huge oversell. But then, it's not hard to sell me on OMG SPACE!--I already am all about going and checking it out.* However, I know a lot of The Public is not interested in "wasting" (FUCK YOU) money on space, so I hope it does what it was trying to and inspires some people who aren't so into our spacey future to rethink that stance, because getting to space is ultimately going to be necessary (and awesome) for us. Ultimately I think that's probably a good thing.
But, uh, for my money? Erik Wernquist's three-and-a-half-minute video Wanderers was far more inspiring than this three-hour blockbuster. I am glad others have been inspired by it. But me, I'll stick with those Wanderers.
(Although I may have shrieked in excitment when, almost at the end, Matthew McConaughey ( sees a thing. ) Those things are cool.)
*Though not with Mars One. WHO COULD HAVE GUESSED that Mars One's plans do not appear to be all that well-thought-out?
I ... hmmm.
Um ...
Huh.
That sure was a movie, that was.
I guess I hadn't really considered the fact that, as a Christopher Nolan movie, the thing could conceivably be made entirely of climaxes. Or that, like pretty much all the Nolan movies I've seen, I'd come away not with a big picture, but a sort of composite of Things I Liked and Things I Didn't Like. And as far as the story goes, the bits I was interested in (I really love the humanistic message that we can transcend ourselves) were fused inextricably with bits that just kind of annoyed me (no, seriously, you are fucking with causality like you're a goddamn Star Trek episode).
It was overwrought. I got really tired of the long, drawn-out climaxes and Hans Zimmer's All-Heartstring Orchestra Score. It was a huge oversell. But then, it's not hard to sell me on OMG SPACE!--I already am all about going and checking it out.* However, I know a lot of The Public is not interested in "wasting" (FUCK YOU) money on space, so I hope it does what it was trying to and inspires some people who aren't so into our spacey future to rethink that stance, because getting to space is ultimately going to be necessary (and awesome) for us. Ultimately I think that's probably a good thing.
But, uh, for my money? Erik Wernquist's three-and-a-half-minute video Wanderers was far more inspiring than this three-hour blockbuster. I am glad others have been inspired by it. But me, I'll stick with those Wanderers.
(Although I may have shrieked in excitment when, almost at the end, Matthew McConaughey ( sees a thing. ) Those things are cool.)
*Though not with Mars One. WHO COULD HAVE GUESSED that Mars One's plans do not appear to be all that well-thought-out?